ISRC
Saul, HWV 53: Act I, Scene II. Recitative "He comes, he comes" (Michal) / Air "O God-like youth!" (Michal) / Recitative "Behold, o King, the brave, victorious youth" (Abner, Saul, David)
Song: Saul, HWV 53: Act I, Scene II, no. 8. Recitative "Behold, o King, the brave, victorious youth" (Abner, Saul, David)
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FRZ140434050 is the International Standard Recording Code (ISRC) for the recording “Saul, HWV 53: Act I, Scene II. Recitative "He comes, he comes" (Michal) / Air "O God-like youth!" (Michal) / Recitative "Behold, o King, the brave, victorious youth" (Abner, Saul, David)” by Rosemary Joshua, Finnur Bjarnason, Gidon Saks, Lawrence Zazzo, Concerto Köln, René Jacobs, released 2005-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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FRZ140434050 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Saul, HWV 53: Act I, Scene II. Recitative "He comes, he comes" (Michal) / Air "O God-like youth!" (Michal) / Recitative "Behold, o King, the brave, victorious youth" (Abner, Saul, David)” by Rosemary Joshua, Finnur Bjarnason, Gidon Saks, Lawrence Zazzo, Concerto Köln, René Jacobs. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Lynne Dawson, Orchestra of the Age of Enlightenment, René Jacobs
FRZ149827380Simone Kermes, Concerto Köln, Christoph M. Mueller
USSM11303040FRZ140434050 is the International Standard Recording Code (ISRC) for the recording “Saul, HWV 53: Act I, Scene II. Recitative "He comes, he comes" (Michal) / Air "O God-like youth!" (Michal) / Recitative "Behold, o King, the brave, victorious youth" (Abner, Saul, David)” by Rosemary Joshua, Finnur Bjarnason, Gidon Saks, Lawrence Zazzo, Concerto Köln, René Jacobs, released 2005-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
