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ISRC

FRZ130101270

Mitridate, re di Ponto: Aria "Al destin che la minaccia"

Song: Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia)

Sandrine PiauFreiburger BarockorchesterGottfried von der Goltz
Released 2002-02-01

Last verified:

FRZ130101270 is the International Standard Recording Code (ISRC) for the recording "Mitridate, re di Ponto: Aria "Al destin che la minaccia"" by Sandrine Piau, Freiburger Barockorchester, Gottfried von der Goltz, released 2002-02-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z13Registrant
01Year (2001)
01270Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Mitridate, re di Ponto: Aria "Al destin che la minaccia"" by Sandrine Piau?
The ISRC for "Mitridate, re di Ponto: Aria "Al destin che la minaccia"" by Sandrine Piau, Freiburger Barockorchester, Gottfried von der Goltz is FRZ130101270.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ130101270?

FRZ130101270 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mitridate, re di Ponto: Aria "Al destin che la minaccia"" by Sandrine Piau, Freiburger Barockorchester, Gottfried von der Goltz. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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