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ISRC

FRZ126801180

Trois petites pièces montées : III. Jeux de Gargantua - Coin de polka

Song: Trois petites pièces montées: III. Jeux de Gargantua (Coin de polka)

Orchestre National de l'ORTF*Manuel Rosenthal
Released 2008-06-16

Last verified:

FRZ126801180 is the International Standard Recording Code (ISRC) for the recording "Trois petites pièces montées : III. Jeux de Gargantua - Coin de polka" by Orchestre National de l'ORTF*, Manuel Rosenthal, released 2008-06-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z12Registrant
68Year (1968)
01180Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1968):
Last two digits of the reference year (1968). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Trois petites pièces montées : III. Jeux de Gargantua - Coin de polka" by Orchestre National de l'ORTF*?
The ISRC for "Trois petites pièces montées : III. Jeux de Gargantua - Coin de polka" by Orchestre National de l'ORTF*, Manuel Rosenthal is FRZ126801180.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ126801180?

FRZ126801180 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Trois petites pièces montées : III. Jeux de Gargantua - Coin de polka" by Orchestre National de l'ORTF*, Manuel Rosenthal. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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