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Chansons Madécasses: III. II est doux de se coucher album cover

ISRC

FRZ118301350

Chansons Madécasses: III. II est doux de se coucher

Song: Chansons madécasses, M. 78: No. 3. Il est doux de se coucher

Jessye NormanDalton BaldwinMichel DebostRenaud Fontanarosa
Released 1984-01-01

Last verified:

FRZ118301350 is the International Standard Recording Code (ISRC) for the recording "Chansons Madécasses: III. II est doux de se coucher" by Jessye Norman, Dalton Baldwin, Michel Debost, Renaud Fontanarosa, released 1984-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z11Registrant
83Year (1983)
01350Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1983):
Last two digits of the reference year (1983). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Chansons Madécasses: III. II est doux de se coucher" by Jessye Norman?
The ISRC for "Chansons Madécasses: III. II est doux de se coucher" by Jessye Norman, Dalton Baldwin, Michel Debost, Renaud Fontanarosa is FRZ118301350.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ118301350?

FRZ118301350 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Chansons Madécasses: III. II est doux de se coucher" by Jessye Norman, Dalton Baldwin, Michel Debost, Renaud Fontanarosa. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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