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ISRC

FRZ116307443

Concerto pour piano et orchestre no. 5 en sol majeur, op. 55 : IV. Larghetto

Song: Piano Concerto no. 5 in G major, op. 55: IV. Larghetto

Samson FrançoisPhilharmonia OrchestraWitold Rowicki
Released 1990-10-18

Last verified:

FRZ116307443 is the International Standard Recording Code (ISRC) for the recording "Concerto pour piano et orchestre no. 5 en sol majeur, op. 55 : IV. Larghetto" by Samson François, Philharmonia Orchestra, Witold Rowicki, released 1990-10-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z11Registrant
63Year (1963)
07443Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1963):
Last two digits of the reference year (1963). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concerto pour piano et orchestre no. 5 en sol majeur, op. 55 : IV. Larghetto" by Samson François?
The ISRC for "Concerto pour piano et orchestre no. 5 en sol majeur, op. 55 : IV. Larghetto" by Samson François, Philharmonia Orchestra, Witold Rowicki is FRZ116307443.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ116307443?

FRZ116307443 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto pour piano et orchestre no. 5 en sol majeur, op. 55 : IV. Larghetto" by Samson François, Philharmonia Orchestra, Witold Rowicki. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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