ISRC
Concerto en Fa majeur pour flûte soprano et cordes : Allegro assai
Song: Recorder Concerto in F major: III. Allegro assai
Last verified:
FRZ079502650 is the International Standard Recording Code (ISRC) for the recording “Concerto en Fa majeur pour flûte soprano et cordes : Allegro assai” by Charles Limouse, Olivier Briand, Marie-Claude Lebey, Judith Depoutot, Ulrike Brütt, Luc Devanne, Sylvie Pécot, Pascal Monteilhet, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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FRZ079502650 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Concerto en Fa majeur pour flûte soprano et cordes : Allegro assai” by Charles Limouse, Olivier Briand, Marie-Claude Lebey, Judith Depoutot, Ulrike Brütt, Luc Devanne, Sylvie Pécot, Pascal Monteilhet. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Charles Limouse, Olivier Briand, Marie-Claude Lebey, Judith Depoutot, Ulrike Brütt, Luc Devanne, Sylvie Pécot, Pascal Monteilhet
FRZ079502590Charles Limouse, Olivier Briand, Marie-Claude Lebey, Judith Depoutot, Ulrike Brütt, Luc Devanne, Sylvie Pécot, Pascal Monteilhet
FRZ079502560Charles Limouse, Olivier Briand, Marie-Claude Lebey, Judith Depoutot, Ulrike Brütt, Luc Devanne, Sylvie Pécot, Pascal Monteilhet
FRZ079502570Charles Limouse, Olivier Briand, Marie-Claude Lebey, Judith Depoutot, Ulrike Brütt, Luc Devanne, Sylvie Pécot, Pascal Monteilhet
FRZ079502460FRZ079502650 is the International Standard Recording Code (ISRC) for the recording “Concerto en Fa majeur pour flûte soprano et cordes : Allegro assai” by Charles Limouse, Olivier Briand, Marie-Claude Lebey, Judith Depoutot, Ulrike Brütt, Luc Devanne, Sylvie Pécot, Pascal Monteilhet, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
