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Un ange à ma table (Les petits pianos sans voix) album cover

ISRC

FRZ052000059

Un ange à ma table (Les petits pianos sans voix)2

Song: UN ANGE A MA TABLE

Indochine
matched
Released 2020-01-01

Last verified:

FRZ052000059 is the International Standard Recording Code (ISRC) for the recording “Un ange à ma table (Les petits pianos sans voix)” by Indochine, released 2020-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by OLIVIER GERARD, NICOLAS SIRKIS.

Format

FRCountry
Z05Registrant
20Year (2020)
00059Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCUn ange à ma table (Les petits pianos sans voix)
IPIOLIVIER GERARD

People also ask

What is the ISRC for "Un ange à ma table (Les petits pianos sans voix)" by Indochine?
The ISRC for "Un ange à ma table (Les petits pianos sans voix)" by Indochine is FRZ052000059.
Who wrote "Un ange à ma table (Les petits pianos sans voix)"?
"Un ange à ma table (Les petits pianos sans voix)" was written by OLIVIER GERARD, NICOLAS SIRKIS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ052000059?

FRZ052000059 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Un ange à ma table (Les petits pianos sans voix)” by Indochine. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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