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Je suis devenu album cover

ISRC

FRZ051800257

Je suis devenu2

Song: NON, NON, NON, NON ( JE NE SUIS PLUS SAOUL )

Miossec
unmatchedNot yet matched in the MLC database
Released 2018-09-28

Last verified:

FRZ051800257 is the International Standard Recording Code (ISRC) for the recording “Je suis devenu” by Miossec, released 2018-09-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z05Registrant
18Year (2018)
00257Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

CHRISTOPHE JEAN MIOSSECComposer

MLC Song Code

N18775
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Je suis devenu" by Miossec?
The ISRC for "Je suis devenu" by Miossec is FRZ051800257.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ051800257?

FRZ051800257 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Je suis devenu” by Miossec. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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