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ISRC

FRZ040700253

Requiem aeternam

Victoria PetrosilloAnne-Laure GirbalMerwan Rim
unmatchedNot yet matched in the MLC database
Released 2007-11-26

Last verified:

FRZ040700253 is the International Standard Recording Code (ISRC) for the recording "Requiem aeternam" by Victoria Petrosillo, Anne-Laure Girbal, Merwan Rim, released 2007-11-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z04Registrant
07Year (2007)
00253Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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People also ask

What is the ISRC for "Requiem aeternam" by Victoria Petrosillo?
The ISRC for "Requiem aeternam" by Victoria Petrosillo, Anne-Laure Girbal, Merwan Rim is FRZ040700253.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ040700253?

FRZ040700253 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Requiem aeternam" by Victoria Petrosillo, Anne-Laure Girbal, Merwan Rim. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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