SB le Voyageur album cover

ISRC

FRZ039402540

SB le Voyageur2

Song: SB LE VOYAGEUR

Wasis Diop
matched
Released 1995-01-01

Last verified:

FRZ039402540 is the International Standard Recording Code (ISRC) for the recording “SB le Voyageur by Wasis Diop, released 1995-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WASIS DIOP.

Format

FRCountry
Z03Registrant
94Year (1994)
02540Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1994):
Last two digits of the reference year (1994). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

WASIS DIOPComposer
POLYGRAM MUSIC SARL. OriginalPublisher0.00%
UNIVERSAL-MCA MUSIC PUBLISHING DIV. OF UNIVERSAL MUSIC CORP. RightsAdministrator100.00%IPI: 00343667743

Who publishes this song?

POLYGRAM MUSIC SARL.OriginalPublisher
UNIVERSAL-MCA MUSIC PUBLISHING DIV. OF UNIVERSAL MUSIC CORP.RightsAdministrator
IPI: 00343667743
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "SB le Voyageur" by Wasis Diop?
The ISRC for "SB le Voyageur" by Wasis Diop is FRZ039402540.
Who wrote "SB le Voyageur"?
"SB le Voyageur" was written by WASIS DIOP.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ039402540?

FRZ039402540 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SB le Voyageur by Wasis Diop. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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