ISRC

FRX872175905

THE LETTER

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FRX872175905 is the International Standard Recording Code (ISRC) for the recording “THE LETTER. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WAYNE CARSON THOMPSON.

Format

FRCountry
X87Registrant
21Year (2021)
75905Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

JERRALD GOLDSMITHComposer
SONY/ATV MELODY OriginalPublisherIPI: 00538928114

Who publishes this song?

SONY/ATV MELODYOriginalPublisher
IPI: 00538928114

MLC Song Code

SourcesMLCMLC2 sources

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People also ask

What is the ISRC for "THE LETTER"?
The ISRC for "THE LETTER" is FRX872175905.
Who wrote "THE LETTER"?
"THE LETTER" was written by WAYNE CARSON THOMPSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRX872175905?

FRX872175905 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “THE LETTER. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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