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ISRC

FRX290801580

Farnace, RV 711: Atto terzo. Scena 4. Aria. Scherza l’aura lusinghiera (Gilade)

Song: Il Farnace, RV 711: Atto III

Cinzia ForteLe Concert des NationsJordi Savall
Released 2003-06-20

Last verified:

FRX290801580 is the International Standard Recording Code (ISRC) for the recording "Farnace, RV 711: Atto terzo. Scena 4. Aria. Scherza l’aura lusinghiera (Gilade)" by Cinzia Forte, Le Concert des Nations, Jordi Savall, released 2003-06-20. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
X29Registrant
08Year (2008)
01580Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Farnace, RV 711: Atto terzo. Scena 4. Aria. Scherza l’aura lusinghiera (Gilade)" by Cinzia Forte?
The ISRC for "Farnace, RV 711: Atto terzo. Scena 4. Aria. Scherza l’aura lusinghiera (Gilade)" by Cinzia Forte, Le Concert des Nations, Jordi Savall is FRX290801580.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRX290801580?

FRX290801580 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Farnace, RV 711: Atto terzo. Scena 4. Aria. Scherza l’aura lusinghiera (Gilade)" by Cinzia Forte, Le Concert des Nations, Jordi Savall. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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