ISRC

FRX290801290

Farnace, RV 711: Atto secundo. Scena 1. Aria. Lascia di sospirar (Selinda)

Song: Il Farnace, RV 711: Atto II

Gloria BanditelliLe Concert des NationsJordi Savall
Released 2009-04-14

Last verified:

FRX290801290 is the International Standard Recording Code (ISRC) for the recording "Farnace, RV 711: Atto secundo. Scena 1. Aria. Lascia di sospirar (Selinda)" by Gloria Banditelli, Le Concert des Nations, Jordi Savall, released 2009-04-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
X29Registrant
08Year (2008)
01290Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Farnace, RV 711: Atto secundo. Scena 1. Aria. Lascia di sospirar (Selinda)" by Gloria Banditelli?
The ISRC for "Farnace, RV 711: Atto secundo. Scena 1. Aria. Lascia di sospirar (Selinda)" by Gloria Banditelli, Le Concert des Nations, Jordi Savall is FRX290801290.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRX290801290?

FRX290801290 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Farnace, RV 711: Atto secundo. Scena 1. Aria. Lascia di sospirar (Selinda)" by Gloria Banditelli, Le Concert des Nations, Jordi Savall. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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