ISRC
Concerto pour violon et orchestre n° 2 en ut majeur op 58: allegro scherzando quasi allegretto
Song: Violin Concerto no. 2 in C major, op. 58: III. Allegro scherzando quasi allegretto
Last verified:
FRUM71302711 is the International Standard Recording Code (ISRC) for the recording “Concerto pour violon et orchestre n° 2 en ut majeur op 58: allegro scherzando quasi allegretto” by Ivry Gitlis, Orchestre Philharmonique de Monte-Carlo, Edouard van Remoortel, released 2013-11-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
FRUM71302711 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Concerto pour violon et orchestre n° 2 en ut majeur op 58: allegro scherzando quasi allegretto” by Ivry Gitlis, Orchestre Philharmonique de Monte-Carlo, Edouard van Remoortel. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Lucienne Renaudin Vary, Orchestre Philharmonique de Monte-Carlo, Sascha Goetzel
GBAYC2002727Sviatoslav Richter, Orchestre Philharmonique de Monte-Carlo, Lovro von Matačić
GBAYC0300187Alexandre Lagoya, Orchestre Philharmonique de Monte-Carlo, Antonio de Almeida
NLA507200139Alexandre Lagoya, Orchestre Philharmonique de Monte-Carlo, Antonio de Almeida
NLA507200137FRUM71302711 is the International Standard Recording Code (ISRC) for the recording “Concerto pour violon et orchestre n° 2 en ut majeur op 58: allegro scherzando quasi allegretto” by Ivry Gitlis, Orchestre Philharmonique de Monte-Carlo, Edouard van Remoortel, released 2013-11-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
