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  3. FRT529700270

ISRC

FRT529700270

Blue Hop (instrumental)

Jean-Jacques Milteau
Released 1997-10-03

Last verified: July 22, 2026

FRT529700270 is the International Standard Recording Code (ISRC) for the recording “Blue Hop (instrumental)” by Jean-Jacques Milteau, released 1997-10-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
T52Registrant
97Year (1997)
00270Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

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  • MusicBrainz recording record

People also ask

What is the ISRC for "Blue Hop (instrumental)" by Jean-Jacques Milteau?+
The ISRC for "Blue Hop (instrumental)" by Jean-Jacques Milteau is FRT529700270.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC FRT529700270?

FRT529700270 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Blue Hop (instrumental)” by Jean-Jacques Milteau. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

Jean-Jacques Milteau

FRT529700270 is the International Standard Recording Code (ISRC) for the recording “Blue Hop (instrumental)” by Jean-Jacques Milteau, released 1997-10-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Jean-Jacques Milteau

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