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ISRC

FRT157518015

On the Waterfront: Adagio – Allegro molto agitato – Alla breve

Song: Symphonic Suite from On the Waterfront: II. Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima

Orchestre national de FranceLeonard Bernstein
Released 2018-08-23

Last verified:

FRT157518015 is the International Standard Recording Code (ISRC) for the recording "On the Waterfront: Adagio – Allegro molto agitato – Alla breve" by Orchestre national de France, Leonard Bernstein, released 2018-08-23. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
T15Registrant
75Year (1975)
18015Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1975):
Last two digits of the reference year (1975). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "On the Waterfront: Adagio – Allegro molto agitato – Alla breve" by Orchestre national de France?
The ISRC for "On the Waterfront: Adagio – Allegro molto agitato – Alla breve" by Orchestre national de France, Leonard Bernstein is FRT157518015.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRT157518015?

FRT157518015 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "On the Waterfront: Adagio – Allegro molto agitato – Alla breve" by Orchestre national de France, Leonard Bernstein. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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