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Il Martirio di Santa Teodosia: Soccorretemi cieli fedeli album cover

ISRC

FROV62336212

Il Martirio di Santa Teodosia: Soccorretemi cieli fedeli

Song: Il Martirio di Santa Teodosia, Seconda Parte: Soccorretemi Cieli fideli (Teodosia)

Suzanne JerosmeIl Gusto BaroccoJörg Halubek
Released 2025-10-24

Last verified:

FROV62336212 is the International Standard Recording Code (ISRC) for the recording “Il Martirio di Santa Teodosia: Soccorretemi cieli fedeli” by Suzanne Jerosme, Il Gusto Barocco, Jörg Halubek, released 2025-10-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
OV6Registrant
23Year (2023)
36212Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Il Martirio di Santa Teodosia: Soccorretemi cieli fedeli" by Suzanne Jerosme?
The ISRC for "Il Martirio di Santa Teodosia: Soccorretemi cieli fedeli" by Suzanne Jerosme, Il Gusto Barocco, Jörg Halubek is FROV62336212.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FROV62336212?

FROV62336212 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Il Martirio di Santa Teodosia: Soccorretemi cieli fedeli” by Suzanne Jerosme, Il Gusto Barocco, Jörg Halubek. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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