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Fiançailles pour rire, FP 101 : Il vole album cover

ISRC

FROV62232025

Fiançailles pour rire, FP 101 : Il vole

Song: Fiançailles pour rire, FP 101: 3. Il vole

Julie Cherrier-HoffmannOrchestra del Teatro La Fenice di VeneziaFrédéric Chaslin
Released 2023-09-22

Last verified:

FROV62232025 is the International Standard Recording Code (ISRC) for the recording “Fiançailles pour rire, FP 101 : Il vole” by Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin, released 2023-09-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
OV6Registrant
22Year (2022)
32025Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Fiançailles pour rire, FP 101 : Il vole" by Julie Cherrier-Hoffmann?
The ISRC for "Fiançailles pour rire, FP 101 : Il vole" by Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin is FROV62232025.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FROV62232025?

FROV62232025 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Fiançailles pour rire, FP 101 : Il vole” by Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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