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ISRC

FR9W11204204

TROLL CHIMES

Song: TROLL CHIMES (ORIGINAL MIX)

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FR9W11204204 is the International Standard Recording Code (ISRC) for the recording “TROLL CHIMES”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MATTHIEU PIACENTILE.

Format

FRCountry
9W1Registrant
12Year (2012)
04204Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

MATTHIEU PIACENTILEComposerLyricist
MBMB PUBLISHING LTD OriginalPublisherIPI: 00663869790

Who publishes this song?

MBMB PUBLISHING LTDOriginalPublisher
IPI: 00663869790

Credits Graph

MLC Song Code

TD0CQF
Verify on MLC Portal →
SourcesMLCMusicBrainzMLC3 sources

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People also ask

What is the ISRC for "TROLL CHIMES"?
The ISRC for "TROLL CHIMES" is FR9W11204204.
Who wrote "TROLL CHIMES"?
"TROLL CHIMES" was written by MATTHIEU PIACENTILE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR9W11204204?

FR9W11204204 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “TROLL CHIMES”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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