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ISRC

FR7MS1853007

Le Parnasse ou l'Apothéose de Corelli: VII. Remerciment de Corelli. Gaÿment

François CouperinOlivier BaumontBeatrice MartinJulien Cigana
Released 2018-09-21

Last verified:

FR7MS1853007 is the International Standard Recording Code (ISRC) for the recording "Le Parnasse ou l'Apothéose de Corelli: VII. Remerciment de Corelli. Gaÿment" by François Couperin, Olivier Baumont, Beatrice Martin, Julien Cigana, released 2018-09-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
7MSRegistrant
18Year (2018)
53007Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Le Parnasse ou l'Apothéose de Corelli: VII. Remerciment de Corelli. Gaÿment" by François Couperin?
The ISRC for "Le Parnasse ou l'Apothéose de Corelli: VII. Remerciment de Corelli. Gaÿment" by François Couperin, Olivier Baumont, Beatrice Martin, Julien Cigana is FR7MS1853007.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR7MS1853007?

FR7MS1853007 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Le Parnasse ou l'Apothéose de Corelli: VII. Remerciment de Corelli. Gaÿment" by François Couperin, Olivier Baumont, Beatrice Martin, Julien Cigana. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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