ISRC
Selected Pieces from the Ballet Romeo and Juliet, op. 64: Mercutio
Song: Pieces for Viola and Piano from “Romeo and Juliet”: Mercutio
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FR7JM2019050 is the International Standard Recording Code (ISRC) for the recording “Selected Pieces from the Ballet Romeo and Juliet, op. 64: Mercutio” by Timothy Ridout, Frank Dupree. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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FR7JM2019050 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Selected Pieces from the Ballet Romeo and Juliet, op. 64: Mercutio” by Timothy Ridout, Frank Dupree. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Isata Kanneh-Mason, Konya Kanneh-Mason, Braimah Kanneh-Mason, Ayla Sahin, Timothy Ridout, Sheku Kanneh-Mason, Toby Hughes
GBBBC2000212Timothy Ridout, Kronberg Academy Soloists, Schleswig-Holstein Festival Orchestra, Christoph Eschenbach
FINDE2000084Isata Kanneh-Mason, Konya Kanneh-Mason, Braimah Kanneh-Mason, Ayla Sahin, Timothy Ridout, Sheku Kanneh-Mason, Adam Walker, Alasdair Malloy
GBBBC2000208Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Ayla Sahin, Timothy Ridout, Sheku Kanneh-Mason, Toby Hughes, Mark Simpson, Adrian Spillett
GBBBC2000213Isata Kanneh-Mason, Konya Kanneh-Mason, Braimah Kanneh-Mason, Ayla Sahin, Timothy Ridout, Sheku Kanneh-Mason, Toby Hughes, Adam Walker, Mark Simpson, Adrian Spillett, Alasdair Malloy
GBBBC2000215Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Ayla Sahin, Timothy Ridout, Sheku Kanneh-Mason, Toby Hughes, Adam Walker
GBBBC2000211FR7JM2019050 is the International Standard Recording Code (ISRC) for the recording “Selected Pieces from the Ballet Romeo and Juliet, op. 64: Mercutio” by Timothy Ridout, Frank Dupree. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.