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STICKS AND STONES album cover

ISRC

FR6V81386175

STICKS AND STONES

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FR6V81386175 is the International Standard Recording Code (ISRC) for the recording "STICKS AND STONES". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JACOB KASHER HINDLIN, SAVAN HARISH KOTECHA, KEVIN RUDOLF, and others.

Format

FRCountry
6V8Registrant
13Year (2013)
86175Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSTICKS AND STONES
IPIJACOB KASHER HINDLIN

Related

Songwriter profiles

JACOB KASHER HINDLINIPISAVAN HARISH KOTECHAIPIKEVIN RUDOLFIPIJERMAINE JERREL JACKSONIPIANDREW BRETT HARRIPI"TREVOR ""BUSTA RHYMES"" SMITH"IPI

People also ask

What is the ISRC for "STICKS AND STONES"?
The ISRC for "STICKS AND STONES" is FR6V81386175.
Who wrote "STICKS AND STONES"?
"STICKS AND STONES" was written by JACOB KASHER HINDLIN, SAVAN HARISH KOTECHA, KEVIN RUDOLF, CHER LLOYD, JERMAINE JERREL JACKSON, ANDREW BRETT HARR, "TREVOR ""BUSTA RHYMES"" SMITH".
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR6V81386175?

FR6V81386175 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "STICKS AND STONES". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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