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  3. FR6F31529510

ISRC

FR6F31529510

I Like to Move It

Reel 2 RealThe Mad Stuntman
Released 2015-06-22

Last verified: July 9, 2026

FR6F31529510 is the International Standard Recording Code (ISRC) for the recording “I Like to Move It” by Reel 2 Real, The Mad Stuntman, released 2015-06-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
6F3Registrant
15Year (2015)
29510Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

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  • MusicBrainz recording record

People also ask

What is the ISRC for "I Like to Move It" by Reel 2 Real?+
The ISRC for "I Like to Move It" by Reel 2 Real, The Mad Stuntman is FR6F31529510.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC FR6F31529510?

FR6F31529510 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I Like to Move It” by Reel 2 Real, The Mad Stuntman. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

Reel 2 RealThe Mad Stuntman

FR6F31529510 is the International Standard Recording Code (ISRC) for the recording “I Like to Move It” by Reel 2 Real, The Mad Stuntman, released 2015-06-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Reel 2 Real, The Mad Stuntman

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