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ISRC

FR6F31356530

JACKALS AND VIPERS IN ENVY OF MAN, PT. 6

Song: JACKALS AND VIPERS IN THE ENVY OF MAN PART 1

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FR6F31356530 is the International Standard Recording Code (ISRC) for the recording "JACKALS AND VIPERS IN ENVY OF MAN, PT. 6". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROBERT ANTHONY SQUIRE.

Format

FRCountry
6F3Registrant
13Year (2013)
56530Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ROBERT ANTHONY SQUIREComposer
JUST ISN'T MUSIC OriginalPublisher0.00%IPI: 00160248788
THIRD SIDE MUSIC INC RightsAdministrator100.00%IPI: 00487842108

Who publishes this song?

JUST ISN'T MUSICOriginalPublisher
IPI: 00160248788
THIRD SIDE MUSIC INCRightsAdministrator
IPI: 00487842108
SourcesMLC

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People also ask

What is the ISRC for "JACKALS AND VIPERS IN ENVY OF MAN, PT. 6"?
The ISRC for "JACKALS AND VIPERS IN ENVY OF MAN, PT. 6" is FR6F31356530.
Who wrote "JACKALS AND VIPERS IN ENVY OF MAN, PT. 6"?
"JACKALS AND VIPERS IN ENVY OF MAN, PT. 6" was written by ROBERT ANTHONY SQUIRE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR6F31356530?

FR6F31356530 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "JACKALS AND VIPERS IN ENVY OF MAN, PT. 6". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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