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Carmina Burana: II. In taberna: Veni, veni, venias album cover

ISRC

FR50X2203120

Carmina Burana: II. In taberna: Veni, veni, venias

Song: Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias

Zürcher Sing-AkademieTonhalle-Orchester ZürichPaavo Järvi
Released 2025-01-17

Last verified:

FR50X2203120 is the International Standard Recording Code (ISRC) for the recording "Carmina Burana: II. In taberna: Veni, veni, venias" by Zürcher Sing-Akademie, Tonhalle-Orchester Zürich, Paavo Järvi, released 2025-01-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
50XRegistrant
22Year (2022)
03120Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Carmina Burana: II. In taberna: Veni, veni, venias" by Zürcher Sing-Akademie?
The ISRC for "Carmina Burana: II. In taberna: Veni, veni, venias" by Zürcher Sing-Akademie, Tonhalle-Orchester Zürich, Paavo Järvi is FR50X2203120.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR50X2203120?

FR50X2203120 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Carmina Burana: II. In taberna: Veni, veni, venias" by Zürcher Sing-Akademie, Tonhalle-Orchester Zürich, Paavo Järvi. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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