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Vier Gesänge, op. 2: II. Schlafend trägt man mich in mein Heimatland album cover

ISRC

FR50X2187209

Vier Gesänge, op. 2: II. Schlafend trägt man mich in mein Heimatland

Song: 4 Lieder, op. 2: II. Schlafend trägt man mich

Raoul SteffaniCamerata RCORolf Verbeek
Released 2022-10-21

Last verified:

FR50X2187209 is the International Standard Recording Code (ISRC) for the recording “Vier Gesänge, op. 2: II. Schlafend trägt man mich in mein Heimatland” by Raoul Steffani, Camerata RCO, Rolf Verbeek, released 2022-10-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
50XRegistrant
21Year (2021)
87209Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Vier Gesänge, op. 2: II. Schlafend trägt man mich in mein Heimatland" by Raoul Steffani?
The ISRC for "Vier Gesänge, op. 2: II. Schlafend trägt man mich in mein Heimatland" by Raoul Steffani, Camerata RCO, Rolf Verbeek is FR50X2187209.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR50X2187209?

FR50X2187209 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Vier Gesänge, op. 2: II. Schlafend trägt man mich in mein Heimatland” by Raoul Steffani, Camerata RCO, Rolf Verbeek. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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