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ISRC

FR50X1696702

Persée 1770 : Acte premier : Scène « Je crains que junon ne refuse » (Cephée, Cassiope, Mérope)

Song: Persée 1770 : Acte I. Scène « Je crains que Junon ne refuse » (Cephée, Cassiope, Mérope)

Jean-Baptiste Lully
Released 2017-03-10

Last verified:

FR50X1696702 is the International Standard Recording Code (ISRC) for the recording "Persée 1770 : Acte premier : Scène « Je crains que junon ne refuse » (Cephée, Cassiope, Mérope)" by Jean-Baptiste Lully, released 2017-03-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
50XRegistrant
16Year (2016)
96702Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Persée 1770 : Acte premier : Scène « Je crains que junon ne refuse » (Cephée, Cassiope, Mérope)" by Jean-Baptiste Lully?
The ISRC for "Persée 1770 : Acte premier : Scène « Je crains que junon ne refuse » (Cephée, Cassiope, Mérope)" by Jean-Baptiste Lully is FR50X1696702.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR50X1696702?

FR50X1696702 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Persée 1770 : Acte premier : Scène « Je crains que junon ne refuse » (Cephée, Cassiope, Mérope)" by Jean-Baptiste Lully. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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