ISRC

FR50X1625811

Nach dir, Herr, verlanget mich, BWV 150: III. Aria "Doch bin und bleibe ich vergnügt"

Song: Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt"

Vox LuminisLionel Meunier
Released 2016-11-01

Last verified:

FR50X1625811 is the International Standard Recording Code (ISRC) for the recording "Nach dir, Herr, verlanget mich, BWV 150: III. Aria "Doch bin und bleibe ich vergnügt"" by Vox Luminis, Lionel Meunier, released 2016-11-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
50XRegistrant
16Year (2016)
25811Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Nach dir, Herr, verlanget mich, BWV 150: III. Aria "Doch bin und bleibe ich vergnügt"" by Vox Luminis?
The ISRC for "Nach dir, Herr, verlanget mich, BWV 150: III. Aria "Doch bin und bleibe ich vergnügt"" by Vox Luminis, Lionel Meunier is FR50X1625811.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR50X1625811?

FR50X1625811 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Nach dir, Herr, verlanget mich, BWV 150: III. Aria "Doch bin und bleibe ich vergnügt"" by Vox Luminis, Lionel Meunier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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