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Sept mélodies, op. 2: 2. Le Charme album cover

ISRC

FR50X1521507

Sept mélodies, op. 2: 2. Le Charme2

Song: SONG SEPT MÉLODIES FOR VOICE AND PIANO OP. 2

Véronique GensSusan Manoff
matched
Released 2015-10-16

Last verified:

FR50X1521507 is the International Standard Recording Code (ISRC) for the recording “Sept mélodies, op. 2: 2. Le Charme” by Véronique Gens, Susan Manoff, released 2015-10-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ERNEST CHAUSSON.

Format

FRCountry
50XRegistrant
15Year (2015)
21507Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ERNEST CHAUSSONComposerLyricist

Credits Graph

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Sept mélodies, op. 2: 2. Le Charme" by Véronique Gens?
The ISRC for "Sept mélodies, op. 2: 2. Le Charme" by Véronique Gens, Susan Manoff is FR50X1521507.
Who wrote "Sept mélodies, op. 2: 2. Le Charme"?
"Sept mélodies, op. 2: 2. Le Charme" was written by ERNEST CHAUSSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR50X1521507?

FR50X1521507 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Sept mélodies, op. 2: 2. Le Charme” by Véronique Gens, Susan Manoff. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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