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Concerto en ré majeur, RV 427: Largo album cover

ISRC

FR50X0917425

Concerto en ré majeur, RV 427: Largo2

Song: "2 LARGO FROM ""PIANO CONCERTO NO. 4 IN G MINOR, OP 40"""

Alexis KossenkoArte dei Suonatori
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Released 2010-01-01

Last verified:

FR50X0917425 is the International Standard Recording Code (ISRC) for the recording “Concerto en ré majeur, RV 427: Largo” by Alexis Kossenko, Arte dei Suonatori, released 2010-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SERGE RACHMANINOFF.

Format

FRCountry
50XRegistrant
09Year (2009)
17425Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCConcerto en ré majeur, RV 427: Largo
IPISERGE RACHMANINOFF

People also ask

What is the ISRC for "Concerto en ré majeur, RV 427: Largo" by Alexis Kossenko?
The ISRC for "Concerto en ré majeur, RV 427: Largo" by Alexis Kossenko, Arte dei Suonatori is FR50X0917425.
Who wrote "Concerto en ré majeur, RV 427: Largo"?
"Concerto en ré majeur, RV 427: Largo" was written by SERGE RACHMANINOFF.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR50X0917425?

FR50X0917425 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Concerto en ré majeur, RV 427: Largo” by Alexis Kossenko, Arte dei Suonatori. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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