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ISRC

FR50X0408303

Overture in A major for Two Violins and Basso continuo, op. 13 no. 3: III. Largo

Song: Ouverture en la majeur pour 2 violons et basse continuë, op. 13 no. 5: III. Largo - Dolce

Les Folies FrançoisesPatrick Cohën-Akenine
Released 2005-01-01

Last verified:

FR50X0408303 is the International Standard Recording Code (ISRC) for the recording "Overture in A major for Two Violins and Basso continuo, op. 13 no. 3: III. Largo" by Les Folies Françoises, Patrick Cohën-Akenine, released 2005-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
50XRegistrant
04Year (2004)
08303Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Overture in A major for Two Violins and Basso continuo, op. 13 no. 3: III. Largo" by Les Folies Françoises?
The ISRC for "Overture in A major for Two Violins and Basso continuo, op. 13 no. 3: III. Largo" by Les Folies Françoises, Patrick Cohën-Akenine is FR50X0408303.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR50X0408303?

FR50X0408303 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Overture in A major for Two Violins and Basso continuo, op. 13 no. 3: III. Largo" by Les Folies Françoises, Patrick Cohën-Akenine. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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