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Suite de Pièces en Ut : Tombeau fait à Paris sur la mort de Monsieur Blancheroche album cover

ISRC

FR50X0406626

Suite de Pièces en Ut : Tombeau fait à Paris sur la mort de Monsieur Blancheroche

Song: Tombeau in C minor, FbWV 632

Skip Sempé
Released 2004-01-01

Last verified:

FR50X0406626 is the International Standard Recording Code (ISRC) for the recording “Suite de Pièces en Ut : Tombeau fait à Paris sur la mort de Monsieur Blancheroche” by Skip Sempé, released 2004-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
50XRegistrant
04Year (2004)
06626Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Suite de Pièces en Ut : Tombeau fait à Paris sur la mort de Monsieur Blancheroche" by Skip Sempé?
The ISRC for "Suite de Pièces en Ut : Tombeau fait à Paris sur la mort de Monsieur Blancheroche" by Skip Sempé is FR50X0406626.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR50X0406626?

FR50X0406626 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Suite de Pièces en Ut : Tombeau fait à Paris sur la mort de Monsieur Blancheroche” by Skip Sempé. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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