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ISRC

FR3Z52401014

Toccata, Adagio et Fugue en Ut majeur, BWV 564: Fuga. Moderatamente scherzando, un poco umoristico

Song: Toccata, Adagio and Fugue in C major, BWV 564, BV B 29 no. 1: III. Fugue

Jean-Philippe Collard
Released 2025-09-19

Last verified:

FR3Z52401014 is the International Standard Recording Code (ISRC) for the recording "Toccata, Adagio et Fugue en Ut majeur, BWV 564: Fuga. Moderatamente scherzando, un poco umoristico" by Jean-Philippe Collard, released 2025-09-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
3Z5Registrant
24Year (2024)
01014Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Toccata, Adagio et Fugue en Ut majeur, BWV 564: Fuga. Moderatamente scherzando, un poco umoristico" by Jean-Philippe Collard?
The ISRC for "Toccata, Adagio et Fugue en Ut majeur, BWV 564: Fuga. Moderatamente scherzando, un poco umoristico" by Jean-Philippe Collard is FR3Z52401014.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR3Z52401014?

FR3Z52401014 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Toccata, Adagio et Fugue en Ut majeur, BWV 564: Fuga. Moderatamente scherzando, un poco umoristico" by Jean-Philippe Collard. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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