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Cum With Disgust album cover

ISRC

FR33T1849906

Cum With Disgust2

Song: CUM WITH DISGUST

Benighted
matched
Released 2018-10-12

Last verified:

FR33T1849906 is the International Standard Recording Code (ISRC) for the recording “Cum With Disgust” by Benighted, released 2018-10-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by EMMANUEL DALLE.

Format

FRCountry
33TRegistrant
18Year (2018)
49906Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

EMMANUEL DALLEComposer
SEASON OF MIST PUBLISHING OriginalPublisher0.00%
ROYNET MUSIC SubPublisher100.00%IPI: 00339668123

Who publishes this song?

SEASON OF MIST PUBLISHINGOriginalPublisher
ROYNET MUSICSubPublisher
IPI: 00339668123

MLC Song Code

CA5M9T
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Cum With Disgust" by Benighted?
The ISRC for "Cum With Disgust" by Benighted is FR33T1849906.
Who wrote "Cum With Disgust"?
"Cum With Disgust" was written by EMMANUEL DALLE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR33T1849906?

FR33T1849906 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Cum With Disgust” by Benighted. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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