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ISRC

FR2X41406169

A CHICKEN AIN'T NOTHING BUT A BIRD (FEAT. DIZZY GILLESPIE)

Song: A CHICKEN AIN'T NOTHING BUT A BIRD

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FR2X41406169 is the International Standard Recording Code (ISRC) for the recording "A CHICKEN AIN'T NOTHING BUT A BIRD (FEAT. DIZZY GILLESPIE)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BABE WALLACE.

Format

FRCountry
2X4Registrant
14Year (2014)
06169Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BABE WALLACEComposer
EMI MILLS MUSIC INC OriginalPublisher100.00%IPI: 00129995030

Who publishes this song?

EMI MILLS MUSIC INCOriginalPublisher
IPI: 00129995030

MLC Song Code

C33040
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What is the ISRC for "A CHICKEN AIN'T NOTHING BUT A BIRD (FEAT. DIZZY GILLESPIE)"?
The ISRC for "A CHICKEN AIN'T NOTHING BUT A BIRD (FEAT. DIZZY GILLESPIE)" is FR2X41406169.
Who wrote "A CHICKEN AIN'T NOTHING BUT A BIRD (FEAT. DIZZY GILLESPIE)"?
"A CHICKEN AIN'T NOTHING BUT A BIRD (FEAT. DIZZY GILLESPIE)" was written by BABE WALLACE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR2X41406169?

FR2X41406169 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "A CHICKEN AIN'T NOTHING BUT A BIRD (FEAT. DIZZY GILLESPIE)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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