ALLER PLUS HAUT (RENDU CÉLÈBRE PAR TINA ARENA) [VERSION KARAOKÉ] album cover

ISRC

FR2IC0902930

ALLER PLUS HAUT (RENDU CÉLÈBRE PAR TINA ARENA) [VERSION KARAOKÉ]

Song: ALLER PLUS HAUT

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FR2IC0902930 is the International Standard Recording Code (ISRC) for the recording “ALLER PLUS HAUT (RENDU CÉLÈBRE PAR TINA ARENA) [VERSION KARAOKÉ]. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHRISTOPHE BATTAGLIA, ROBERT GOLDMAN.

Format

FRCountry
2ICRegistrant
09Year (2009)
02930Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCALLER PLUS HAUT (RENDU CÉLÈBRE PAR TINA ARENA) [VERSION KARAOKÉ]

People also ask

What is the ISRC for "ALLER PLUS HAUT (RENDU CÉLÈBRE PAR TINA ARENA) [VERSION KARAOKÉ]"?
The ISRC for "ALLER PLUS HAUT (RENDU CÉLÈBRE PAR TINA ARENA) [VERSION KARAOKÉ]" is FR2IC0902930.
Who wrote "ALLER PLUS HAUT (RENDU CÉLÈBRE PAR TINA ARENA) [VERSION KARAOKÉ]"?
"ALLER PLUS HAUT (RENDU CÉLÈBRE PAR TINA ARENA) [VERSION KARAOKÉ]" was written by CHRISTOPHE BATTAGLIA, ROBERT GOLDMAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR2IC0902930?

FR2IC0902930 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “ALLER PLUS HAUT (RENDU CÉLÈBRE PAR TINA ARENA) [VERSION KARAOKÉ]. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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