ISRC

FR26V2038104

WHEREVER THERE'S LOVE

Song: WHEREVER THERE S LOVE

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FR26V2038104 is the International Standard Recording Code (ISRC) for the recording “WHEREVER THERE'S LOVE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by EDDIE CONDON, JOHN VRIES.

Format

FRCountry
26VRegistrant
20Year (2020)
38104Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

EDDIE CONDONComposer
WAROCK CORP. OriginalPublisher0.00%IPI: 00032523418
KOBALT MUSIC PUB AMERICA INC SubPublisher100.00%IPI: 00503659557
JOHN VRIESComposer
WAROCK CORP. OriginalPublisher0.00%IPI: 00032523418
KOBALT MUSIC PUB AMERICA INC SubPublisher100.00%IPI: 00503659557

Who publishes this song?

WAROCK CORP.OriginalPublisher
IPI: 00032523418
KOBALT MUSIC PUB AMERICA INCSubPublisher
IPI: 00503659557
SourcesMLC

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Related

Songwriter profiles

People also ask

What is the ISRC for "WHEREVER THERE'S LOVE"?
The ISRC for "WHEREVER THERE'S LOVE" is FR26V2038104.
Who wrote "WHEREVER THERE'S LOVE"?
"WHEREVER THERE'S LOVE" was written by EDDIE CONDON, JOHN VRIES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR26V2038104?

FR26V2038104 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “WHEREVER THERE'S LOVE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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