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I Hate Music! – A Cycle of Five Kid Songs for Soprano: Jupiter Has Seven Moons album cover

ISRC

FR0O70764080

I Hate Music! – A Cycle of Five Kid Songs for Soprano: Jupiter Has Seven Moons

Song: I Hate Music: Five Kid Songs for Soprano and Piano: II. Jupiter Has Seven Moons

Roberta AlexanderTan Crone

Last verified:

FR0O70764080 is the International Standard Recording Code (ISRC) for the recording “I Hate Music! – A Cycle of Five Kid Songs for Soprano: Jupiter Has Seven Moons” by Roberta Alexander, Tan Crone. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
0O7Registrant
07Year (2007)
64080Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "I Hate Music! – A Cycle of Five Kid Songs for Soprano: Jupiter Has Seven Moons" by Roberta Alexander?
The ISRC for "I Hate Music! – A Cycle of Five Kid Songs for Soprano: Jupiter Has Seven Moons" by Roberta Alexander, Tan Crone is FR0O70764080.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR0O70764080?

FR0O70764080 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I Hate Music! – A Cycle of Five Kid Songs for Soprano: Jupiter Has Seven Moons” by Roberta Alexander, Tan Crone. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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