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ISRC

FINDE9800113

Concerto for Violin and Orchestra, op. 60: II. Andante assai tranquillo

Song: Konsertto viululle ja orkesterille, op. 60: II. Andante assai tranquillo

John StorgårdsTampere Philharmonic OrchestraLeif Segerstam
Released 1999-03-01

Last verified:

FINDE9800113 is the International Standard Recording Code (ISRC) for the recording "Concerto for Violin and Orchestra, op. 60: II. Andante assai tranquillo" by John Storgårds, Tampere Philharmonic Orchestra, Leif Segerstam, released 1999-03-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FICountry
NDERegistrant
98Year (1998)
00113Designation
Country:
ISO 3166-1 alpha-2 country code (FI).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concerto for Violin and Orchestra, op. 60: II. Andante assai tranquillo" by John Storgårds?
The ISRC for "Concerto for Violin and Orchestra, op. 60: II. Andante assai tranquillo" by John Storgårds, Tampere Philharmonic Orchestra, Leif Segerstam is FINDE9800113.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FINDE9800113?

FINDE9800113 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto for Violin and Orchestra, op. 60: II. Andante assai tranquillo" by John Storgårds, Tampere Philharmonic Orchestra, Leif Segerstam. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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