Musik zu Goethe’s Trauerspiel Egmont, op. 84: Ouverture album cover

ISRC

FINDE1900032

Musik zu Goethe’s Trauerspiel Egmont, op. 84: Ouverture2

Song: PUBLIC DOMAIN TRACK

Robert Hunger-BühlerHelsingin BarokkiorkesteriAapo Häkkinen
unmatchedNot yet matched in the MLC database
Released 2019-08-09

Last verified:

FINDE1900032 is the International Standard Recording Code (ISRC) for the recording “Musik zu Goethe’s Trauerspiel Egmont, op. 84: Ouverture by Robert Hunger-Bühler, Helsingin Barokkiorkesteri, Aapo Häkkinen, released 2019-08-09. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FICountry
NDERegistrant
19Year (2019)
00032Designation
Country:
ISO 3166-1 alpha-2 country code (FI).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Musik zu Goethe’s Trauerspiel Egmont, op. 84: Ouverture" by Robert Hunger-Bühler?
The ISRC for "Musik zu Goethe’s Trauerspiel Egmont, op. 84: Ouverture" by Robert Hunger-Bühler, Helsingin Barokkiorkesteri, Aapo Häkkinen is FINDE1900032.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FINDE1900032?

FINDE1900032 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Musik zu Goethe’s Trauerspiel Egmont, op. 84: Ouverture by Robert Hunger-Bühler, Helsingin Barokkiorkesteri, Aapo Häkkinen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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