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ISRC

FIAVS1200012

War es so schmählich, was ich verbrach?

Song: Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach"

Hans HotterAnita VälkkiOrchestra of the Royal Opera HouseCovent GardenSir Georg Solti
Released 2012-05-26

Last verified:

FIAVS1200012 is the International Standard Recording Code (ISRC) for the recording "War es so schmählich, was ich verbrach?" by Hans Hotter, Anita Välkki, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti, released 2012-05-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FICountry
AVSRegistrant
12Year (2012)
00012Designation
Country:
ISO 3166-1 alpha-2 country code (FI).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "War es so schmählich, was ich verbrach?" by Hans Hotter?
The ISRC for "War es so schmählich, was ich verbrach?" by Hans Hotter, Anita Välkki, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti is FIAVS1200012.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FIAVS1200012?

FIAVS1200012 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "War es so schmählich, was ich verbrach?" by Hans Hotter, Anita Välkki, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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