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Desliz automático album cover

ISRC

ESAAI0256917

Desliz automático2

Song: DESLIZ AUTOMATICO

Anita TijouxVíctor Flores
matched
Released 2007-01-01

Last verified:

ESAAI0256917 is the International Standard Recording Code (ISRC) for the recording “Desliz automático” by Anita Tijoux, Víctor Flores, released 2007-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CRISTOBAL ANDRES PEREZ SERRANO, HECTOR NICOLAS CARRASCO GALLARDO, ANA MARIA MERINO TEJOUX, and others.

Format

ESCountry
AAIRegistrant
02Year (2002)
56917Designation
Country:
ISO 3166-1 alpha-2 country code (ES).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDesliz automático
IPICRISTOBAL ANDRES PEREZ SERRANO

People also ask

What is the ISRC for "Desliz automático" by Anita Tijoux?
The ISRC for "Desliz automático" by Anita Tijoux, Víctor Flores is ESAAI0256917.
Who wrote "Desliz automático"?
"Desliz automático" was written by CRISTOBAL ANDRES PEREZ SERRANO, HECTOR NICOLAS CARRASCO GALLARDO, ANA MARIA MERINO TEJOUX, VICTOR ANDRES FLORES MEDINA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ESAAI0256917?

ESAAI0256917 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Desliz automático” by Anita Tijoux, Víctor Flores. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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