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YO NO SOY ESA album cover

ISRC

ES5299500084

YO NO SOY ESA

MARI TRINIMARI TRINI MARI TRINI MARI TRINIVARIOS ARTISTASVARIOUS ARTISTS
unmatchedNot yet matched in the MLC database

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ES5299500084 is the International Standard Recording Code (ISRC) for the recording “YO NO SOY ESA” by MARI TRINI, MARI TRINI MARI TRINI MARI TRINI, VARIOS ARTISTAS, VARIOUS ARTISTS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by M. TRINIDAD, MIRAVETE MILLE, MARI TRINI.

Format

ESCountry
529Registrant
95Year (1995)
00084Designation
Country:
ISO 3166-1 alpha-2 country code (ES).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

M. TRINIDADComposer
MIRAVETE MILLEComposer
MARI TRINIComposer

Credits Graph

MLC Song Code

Y1329A
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SourcesMLC

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People also ask

What is the ISRC for "YO NO SOY ESA" by MARI TRINI?
The ISRC for "YO NO SOY ESA" by MARI TRINI, MARI TRINI MARI TRINI MARI TRINI, VARIOS ARTISTAS, VARIOUS ARTISTS is ES5299500084.
Who wrote "YO NO SOY ESA"?
"YO NO SOY ESA" was written by M. TRINIDAD, MIRAVETE MILLE, MARI TRINI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ES5299500084?

ES5299500084 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “YO NO SOY ESA” by MARI TRINI, MARI TRINI MARI TRINI MARI TRINI, VARIOS ARTISTAS, VARIOUS ARTISTS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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