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Punto y coma album cover

ISRC

ES5152201050

Punto y coma2

Song: PUNTO Y COMA

Vanesa Martín
unmatchedNot yet matched in the MLC database
Released 2022-11-24

Last verified:

ES5152201050 is the International Standard Recording Code (ISRC) for the recording "Punto y coma" by Vanesa Martín, released 2022-11-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ESCountry
515Registrant
22Year (2022)
01050Designation
Country:
ISO 3166-1 alpha-2 country code (ES).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MARIA VANESA MARTIN MATAComposerLyricist
WARNER CHAPPELL MUSIC SPAIN S A OriginalPublisher0.00%IPI: 00085752545
WC MUSIC CORP. OriginalPublisher20.00%IPI: 00392888203

Who publishes this song?

WARNER CHAPPELL MUSIC SPAIN S AOriginalPublisher
IPI: 00085752545
WC MUSIC CORP.OriginalPublisher
IPI: 00392888203

MLC Song Code

PI8T1L
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

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People also ask

What is the ISRC for "Punto y coma" by Vanesa Martín?
The ISRC for "Punto y coma" by Vanesa Martín is ES5152201050.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ES5152201050?

ES5152201050 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Punto y coma" by Vanesa Martín. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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