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ISRC

DGA052241012

Enseñanza de los viejos

Song: ENSENANZA DE LOS VIEJOS

El FantasmaPepe Aguilar
unmatchedNot yet matched in the MLC database
Released 2022-11-11

Last verified:

DGA052241012 is the International Standard Recording Code (ISRC) for the recording "Enseñanza de los viejos" by El Fantasma, Pepe Aguilar, released 2022-11-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DGCountry
A05Registrant
22Year (2022)
41012Designation
Country:
ISO 3166-1 alpha-2 country code (DG).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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MLC Song Code

EC1TGS
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SourcesMusicBrainz

Verified on

People also ask

What is the ISRC for "Enseñanza de los viejos" by El Fantasma?
The ISRC for "Enseñanza de los viejos" by El Fantasma, Pepe Aguilar is DGA052241012.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DGA052241012?

DGA052241012 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Enseñanza de los viejos" by El Fantasma, Pepe Aguilar. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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