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ISRC

DEZZ42149144

(I Got Loaded at) Smokey Joe’s2

Song: I GOT LOADED (AT SMOKEY JOE'S JOINT)

Thurston Harris
matched
Released 2021-01-01

Last verified:

DEZZ42149144 is the International Standard Recording Code (ISRC) for the recording “(I Got Loaded at) Smokey Joe’s” by Thurston Harris, released 2021-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by T. HARRIS.

Format

DECountry
ZZ4Registrant
21Year (2021)
49144Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

T. HARRISComposer
EMI UNART CATALOG INC OriginalPublisher100.00%IPI: 00223437591

Who publishes this song?

EMI UNART CATALOG INCOriginalPublisher
IPI: 00223437591

MLC Song Code

I15165
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "(I Got Loaded at) Smokey Joe’s" by Thurston Harris?
The ISRC for "(I Got Loaded at) Smokey Joe’s" by Thurston Harris is DEZZ42149144.
Who wrote "(I Got Loaded at) Smokey Joe’s"?
"(I Got Loaded at) Smokey Joe’s" was written by T. HARRIS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEZZ42149144?

DEZZ42149144 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “(I Got Loaded at) Smokey Joe’s” by Thurston Harris. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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