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Party Medley: Lass uns nochmal / Ich muss den Himmel nicht mehr suchen / Seelenverwandt / Kaputtgeliebt album cover

ISRC

DEZ521700584

Party Medley: Lass uns nochmal / Ich muss den Himmel nicht mehr suchen / Seelenverwandt / Kaputtgeliebt

Sven Polenz
Released 2018-03-16

Last verified:

DEZ521700584 is the International Standard Recording Code (ISRC) for the recording “Party Medley: Lass uns nochmal / Ich muss den Himmel nicht mehr suchen / Seelenverwandt / Kaputtgeliebt” by Sven Polenz, released 2018-03-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
Z52Registrant
17Year (2017)
00584Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Party Medley: Lass uns nochmal / Ich muss den Himmel nicht mehr suchen / Seelenverwandt / Kaputtgeliebt" by Sven Polenz?
The ISRC for "Party Medley: Lass uns nochmal / Ich muss den Himmel nicht mehr suchen / Seelenverwandt / Kaputtgeliebt" by Sven Polenz is DEZ521700584.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEZ521700584?

DEZ521700584 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Party Medley: Lass uns nochmal / Ich muss den Himmel nicht mehr suchen / Seelenverwandt / Kaputtgeliebt” by Sven Polenz. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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