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Pirates of the Caribbean: Dead Man’s Chest: He’s a Pirate / Davy Jones album cover

ISRC

DEU901501576

Pirates of the Caribbean: Dead Man’s Chest: He’s a Pirate / Davy Jones

Song: Davy Jones

Danish National Symphony OrchestraLudwig Wicki
Released 2022-11-25

Last verified:

DEU901501576 is the International Standard Recording Code (ISRC) for the recording "Pirates of the Caribbean: Dead Man’s Chest: He’s a Pirate / Davy Jones" by Danish National Symphony Orchestra, Ludwig Wicki, released 2022-11-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
U90Registrant
15Year (2015)
01576Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Pirates of the Caribbean: Dead Man’s Chest: He’s a Pirate / Davy Jones" by Danish National Symphony Orchestra?
The ISRC for "Pirates of the Caribbean: Dead Man’s Chest: He’s a Pirate / Davy Jones" by Danish National Symphony Orchestra, Ludwig Wicki is DEU901501576.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEU901501576?

DEU901501576 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Pirates of the Caribbean: Dead Man’s Chest: He’s a Pirate / Davy Jones" by Danish National Symphony Orchestra, Ludwig Wicki. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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