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TEA TIME album cover

ISRC

DEQ022291896

TEA TIME2

La CantinaBoztown
unmatchedNot yet matched in the MLC database

Last verified:

DEQ022291896 is the International Standard Recording Code (ISRC) for the recording “TEA TIME” by La Cantina, Boztown. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
Q02Registrant
22Year (2022)
91896Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.

SourcesMLCMusicBrainz2 sources

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People also ask

What is the ISRC for "TEA TIME" by La Cantina?
The ISRC for "TEA TIME" by La Cantina, Boztown is DEQ022291896.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEQ022291896?

DEQ022291896 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “TEA TIME” by La Cantina, Boztown. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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