Cello Suite No. 5 in C minor, BWV 1011: I. Prélude album cover

ISRC

DEP629600127

Cello Suite No. 5 in C minor, BWV 1011: I. Prélude2

Song: PUBLIC DOMAIN TRACK

Guido Schiefen
matched
Released 1996-08-01

Last verified:

DEP629600127 is the International Standard Recording Code (ISRC) for the recording “Cello Suite No. 5 in C minor, BWV 1011: I. Prélude by Guido Schiefen, released 1996-08-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PUBLIC DOMAIN.

Format

DECountry
P62Registrant
96Year (1996)
00127Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1996):
Last two digits of the reference year (1996). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCello Suite No. 5 in C minor, BWV 1011: I. Prélude

People also ask

What is the ISRC for "Cello Suite No. 5 in C minor, BWV 1011: I. Prélude" by Guido Schiefen?
The ISRC for "Cello Suite No. 5 in C minor, BWV 1011: I. Prélude" by Guido Schiefen is DEP629600127.
Who wrote "Cello Suite No. 5 in C minor, BWV 1011: I. Prélude"?
"Cello Suite No. 5 in C minor, BWV 1011: I. Prélude" was written by PUBLIC DOMAIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEP629600127?

DEP629600127 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Cello Suite No. 5 in C minor, BWV 1011: I. Prélude by Guido Schiefen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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